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~ Ebook Download Why I Wore Lipstick: To My Mastectomy, by Geralyn Lucas

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Why I Wore Lipstick: To My Mastectomy, by Geralyn Lucas

Why I Wore Lipstick: To My Mastectomy, by Geralyn Lucas



Why I Wore Lipstick: To My Mastectomy, by Geralyn Lucas

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Why I Wore Lipstick: To My Mastectomy, by Geralyn Lucas

NOW A LIFETIME ORIGINAL MOVIE PREMIERING IN OCTOBER!Having recently graduated from Columbia Journalism School and landed her dream job at 20/20, the last thing 27-year-old Geralyn expects to hear is a breast cancer diagnosis. And there is one part of the diagnosis that no one will discuss with her: what it means to be a young girl with cancer in a beauty-obsessed culture. Trying to find herself, while losing her vibrancy and her looks, Geralyn embarks on a road to self-acceptance that will inspire all women. Although her book is explicitly about a period of time where she was driven by fear and uncertainty about the future, Geralyn managed a transformation that will encourage all women under siege to discover their own courage and beauty. The important and outrageous lessons of Why I Wore Lipstick come fast and furious with the same gusto that Geralyn has learned to bring to every moment of her life.

  • Sales Rank: #1615523 in Books
  • Published on: 2005-10-01
  • Released on: 2005-09-15
  • Format: Bargain Price
  • Number of items: 1
  • Dimensions: .57" h x 5.52" w x 8.22" l,
  • Binding: Paperback
  • 224 pages

From the Back Cover
This book is for any woman who has ever lost anything big.

“Isn’t attitude everything?” –Good Housekeeping
“A bold memoir.” –People

“Surprisingly optimistic and immensely empowering.” –Publishers Weekly

“Geralyn Lucas makes you laugh and cry in the very same moment….. Buy this book for yourself, a friend, or any loved one who is enduring the experience of breast cancer. It's like nothing else ever written on the subject.” –Lucy Danziger, editor in chief of Self magazine (the founder of Pink Ribbon)

“Outrageous and often hilarious…This is a totally frank, inspiring and defiant account of undaunted courage.” –Seattle Post-Intelligencer

About the Author
Geralyn Lucas graduated with honors from the Columbia University School of Journalism. She was an editorial producer at ABC News 20/20 for seven years before becoming the director of corporate communications and public affairs at Lifetime Television. She is also a proud member of Lifetime's Stop Breast Cancer for Life initiative. Geralyn lives in New York City with her husband, Tyler, and daughter, Skye. She never leaves the house without lipstick.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 5
Why I Wore Lipstick

I look at my right breast for the last time ever.

It is the morning of my mastectomy surgery. The digital clock flips to 6:33 A.M. It is still dark outside but I am standing topless in a bright fluorescent-lit cubicle about to take off my jeans and un-derwear before I put on the surgical gown, hair net, and paper slip-pers the nurse has just handed to me.

As I unzip my jeans, I do notice that strangely, there is a little mirror hanging on the wall. Who could ever be vain now? I touch the mirror to make sure this is all really happening and notice the deep bags under my eyes. I pulled an all-nighter just looking at my breast and wondering how to say good-bye. I even took a picture of it. I still can't believe that when I wake up after my surgery I will have only a blood-soaked bandage where my right breast is.

I am shivering as I tie the surgical smock. It says PROPERTY OF MT. SINAI HOSPITAL in scary black letters. I realize that I, too, strangely, am now property of the hospital. There is an old air con-ditioner that is making my nipple hard, and I feel a rush of sensa-tion on my right side. What will it feel like when my breast is not there? I pile my long black hair under the hair net, hold the bangs up and push them underneath, and slide my feet into the scratchy paper slippers. I'm going through the motions, but when I look in the mirror again I start to sob.

I have Sting in my Walkman, and I'm trying to picture walking in Fields of Gold. I have written down affirmations for today that I keep reading to myself: "The scalpel is my friend." I don't care if they think I'm crazy. The cab driver has shown me I have to speak up, and I do.

There is a knock on the door and Dr. B asks if he can come in. He is in a suit and I am in scrubs. It is usually the reverse. He has come to visit me in the little cubicle and when he sees me his face drops, turning even greener than the fluorescent lights have made him look.

I know that I took horrible, and it's not just the fluorescent lighting. He is trying to rally me, but I think that the Geralyn that he knows is already gone. At least I'm pretty sure of it. I can't sum-mon myself and I can't pretend that I'm feeling brave. I'm about to lose myself, to be cut into, and already I feel my body starting to slip away from me. I'm starting to feel each breath, wondering what it will be like to be put under anesthesia for the first time. How will I wake up from the surgery? Will I cry? Will I know as soon as I wake up that my breast is gone? Will I feel the pain first and then remember? What if I don't wake up? What if I die on the operating room table? What if they open me up and there is cancer everywhere?

"Geri. We're a team. Where's my partner? Where's the Geri that I know?"

I hate the name Geri and no one else but Dr. B calls me that. He can call me anything he wants right now because he is about to cut my boob off. How do I wrap my mind around what is happen-ing to me? How do I willingly submit to this? How can I be complete when a piece of me is being cut away? How do I hold on to myself?
I can't believe he has come to visit me before I see him in the operating room. That is so amazing that he wanted to see me, all of me, before he has to cut off my boob. I want to be strong for him, for me, for my family, for Tyler. I think about trying to rally as Dr. B leaves the cubicle.

I remember how I climbed to the top of my favorite tree in my backyard wearing my Mary Janes and red-and-white-dot party dress just to prove to my younger brothers that I could. I remember how I fell down from the top branch because my Mary Janes' slippery soles slid on the bark. I was proud of my skinned knee. I had earned it.

I want to earn this moment, too. I need to summon myself and own this courage that is waiting for me to grab. Right now it is anx-iety and torture and dread but that courage is just begging me to own it. All I can think about is that somehow I need to be myself in this sterile room, during this surgery that has been forced on me. I need to remind everyone that I am not just another mastectomy, right side, on the OR table. I need to leave a trace that I was here, too, not only my boob. I can't stand the thought of anyone looking through me during such an important moment in my life, the way I felt looked through by so many doctors when I was first diagnosed.

That is when I remember my lipstick. It is almost habit-I just take it everywhere with me. I pull my lipstick out of the crinkled heap of my jeans and as carefully as I can I trace the outline of my lips. I pucker and then smooth the lipstick by rubbing my top and bottom lip together. I apply another coat. It is matte, which means it should hold up in surgery. I am glad that it is not shiny because then it might smear when they put the breathing tube down my throat. I curl my middle finger and put my knuckle in the small curve in the middle of my top lip to remove any excess and glide my pointer finger knuckle along the lower rim of my lips to make sure it looks perfect. The lipstick stains my finger and I think about the song "Lipstick on Your Collar"-maybe I will leave a little smear of lipstick in the operating room today just to let them know I was there?

I do love lipstick because no one is born with it. It is so demo-cratic. Applying it is such a willful gesture. Lipstick is confident and demands attention. I remember all the women I watched ap-plying lipstick in ladies' rooms Notice Me, I Deserve This, they were writing on their lips with every stroke. I think about Marilyn Mon-roe. I am channeling her lipstick, not her boobs.

I am so glad there is a mirror because now I can see that I finally look like myself in this hair net and surgical gown. I recognize myself with my lipstick. It needs to look perfect because it will look creepy and bizarre if it is slightly smudged. That will make me look wild. I am going for defiant, and there is a difference. I want to look as deliberate as possible. It is not an accident that I am wearing lipstick. It is not left over from a wild night of partying. My lipstick will say, Notice Me.

I am so relieved I had my long-lasting, super-matte lipstick in my pocket. This is a high-endurance situation, more than the commercials where the model keeps eating and wiping her mouth and her lipstick is still perfect eight hours later.

When the nurse calls my name I think about how prisoners marching to their deaths somehow find one defiant gesture to mock the situation. Even as I am sedated under heavy anesthetic, and my breast is being carefully placed in the pathology lab Tupperware, maybe I can still feel attractive.
I am put on a gurney and wheeled underground through the hospital towards the operating room. After an elevator ride, I am in a bright holding area outside the operating room where they will cut off my breast. It is such a deep moment, but all I can think about is how thirsty I am, because I was not allowed to drink any-thing before my surgery. The night before, I had a huge lobster din-ner to celebrate my birthday. Note to self: Do not eat lobster dipped in butter,
cf0rice pilaf, and creme brulee if you're having sur-gery the next day. What was I thinking? Maybe it is Titanic rea-soning: I am going down with violins playing. My parents made me go out to celebrate, but I drew the line at the waiter singing "Happy Birthday." There is nothing happy about this birthday. Tyler gave me a beautiful antique glass necklace for my birthday. It was such an odd gift because I can't picture wearing a necklace when I am bald and have one boob. It is a strange vote of confi-dence that he thinks I will still be able to wear a beautiful necklace, that his vision of who I am has not changed yet. But I'm worried about us, about what all this is doing to him. He stayed out until 4 A.M. two nights ago. He came home and smelled like beer, and when I asked him where he had been he told me that he had spent the night crying in his beer about his wife who has breast cancer to three women visiting from Australia that he just met at the bar. They all cried for me.

I see Dr. Brower again, but this time he is in full surgeon mode-in all-blue scrubs with a mask-standing in the hallway just outside the operating room. Dr. Brower tells me they are set, ting up the OR and just need about five more minutes. Five min-utes? I need an Ativan. Help. My heart is feeling so wild right now and my lipstick is making me feel even wilder.

My anesthesiologist, has come to put the IV line in my arm. He is gentle but it still hurts to get the needle. I feel the smooth rush of fluids entering my vein. When he comes over to check my IV I beg him for some anti-anxiety medication. He pushes something through my IV and I feel the rush in my vein.

How long will It take this sedative to kick in? Maybe I need to pace and say more affirmations to calm myself down? I slide off the gurney as delicately as I can and pull the IV pole along. I realize the back of my surgical gown is open and my butt is hanging out but does it matter if anyone checks it out? I am about to have my breast cut off, so there is no false modesty here.

I see the fiery red exit sign at the end of the hallway and I start shuffling towards it, dragging the IV pole, sort of like we are doing the Hustle together. The exit sign matches my bright red lipstick. It is equally defiant and it is screaming a siren song: "Bolt out the door and keep your breast. Bolt. Keep your breast. Bolt." I am try-ing to remember my lipstick, but all I see is the scalpel.

I know now why exit signs were invented. For dangerous situa-tions like this: like fires, and like fleeing a building so your breast will not be cut off. My life is on fire. It is burning down around me. I don't belong here. I need to EXIT.

How did this all happen in just a matter of weeks? Why did this happen? Why me? Was it because I took birth control pills, did not go to the gym enough? Ate too many cheeseburgers? The one cigarette I smok...

Most helpful customer reviews

0 of 0 people found the following review helpful.
Much needed humor in a time of sadness
By KARI L SCHOEFFLER
Great read for anyone going through cancer treatments, in cancer remission, caring for someone battling cancer, or those whose lives have been impacted by cancer looking to find light and humor in the tough moments. I found her voice honest, her spirit formidable, her cleverness warm and inviting, and her will to survive inspiring. Great piece!

3 of 3 people found the following review helpful.
Terrific Uplifting Book
By Rochelle
I agree wholeheartedly with most of the positive reviews here. This lady faced her dark hours with a sense of humor about herself as well as those around her who couldn't know what it exactly felt like to be in her shoes. The path of cancer or any serious condition is fraught with faux pas of medical staff as well as loved ones and acquaintances. There is no set script for anyone to follow. The author meets these issues and her illness with a fighting spirit. Well-written,funny and a stark view of cancer victim reality with a empowering edge.

3 of 3 people found the following review helpful.
Why I Wore Lipstick : To My Mastectomy
By Catmom
I really enjoyed the book. I also saw the movie which was really good. I was diagnosed with breast cancer in July 2006 but I am doing great. I would recommend this book.

See all 8 customer reviews...

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