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South of Broad: A Novel, by Pat Conroy
PDF Ebook South of Broad: A Novel, by Pat Conroy
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BONUS: This edition contains a South of Broad discussion guide and an excerpt from Pat Conroy's The Great Santini.
Leopold Bloom King has been raised in a family shattered—and shadowed—by tragedy. Lonely and adrift, he searches for something to sustain him and finds it among a tightly knit group of high school outsiders. Surviving marriages happy and troubled, unrequited loves and unspoken longings, hard-won successes and devastating breakdowns, as well as Charleston, South Carolina’s dark legacy of racism and class divisions, these friends will endure until a final test forces them to face something none of them are prepared for.
Spanning two turbulent decades, South of Broad is Pat Conroy at his finest: a masterpiece from a great American writer whose passion for life and language knows no bounds.
- Sales Rank: #36139 in eBooks
- Published on: 2009-07-28
- Released on: 2009-08-11
- Format: Kindle eBook
From Publishers Weekly
Charleston, S.C., gossip columnist Leopold Bloom King narrates a paean to his hometown and friends in Conroy's first novel in 14 years. In the late '60s and after his brother commits suicide, then 18-year-old Leo befriends a cross-section of the city's inhabitants: scions of Charleston aristocracy; Appalachian orphans; a black football coach's son; and an astonishingly beautiful pair of twins, Sheba and Trevor Poe, who are evading their psychotic father. The story alternates between 1969, the glorious year Leo's coterie stormed Charleston's social, sexual and racial barricades, and 1989, when Sheba, now a movie star, enlists them to find her missing gay brother in AIDS-ravaged San Francisco. Too often the not-so-witty repartee and the narrator's awed voice (he is very fond of superlatives) overwhelm the stories surrounding the group's love affairs and their struggles to protect one another from dangerous pasts. Some characters are tragically lost to the riptides of love and obsession, while others emerge from the frothy waters of sentimentality and nostalgia as exhausted as most readers are likely to be. Fans of Conroy's florid prose and earnest melodramas are in for a treat. (Aug.)
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From Bookmarks Magazine
Pat Conroy's highly anticipated work earned a decidedly lackluster response from critics, who cited overblown prose, cardboard characters, and implausible plot twists among the novel's key sins. The Dallas Morning News quite candidly noted: "[H]e goes on and on—and on—about the glories of Charleston, S.C., to the point that many readers will be tempted to hurl the book into the nearest vessel of water." But the news wasn't all bad. The Chicago Sun-Times hailed the novel as "a gripping saga," and even disappointed critics, many of them longtime Conroy fans, admitted the 500-plus page novel contained moments of glorious storytelling. Overall, however, readers may find their time better spent rereading Conroy's beloved The Prince of Tides.
From Booklist
An unlikely group of Charlestonian teens forms a friendship in 1969, just as the certainties and verities of southern society are quaked by the social and political forces unleashed earlier in the decade. They come from all walks of life, from the privileged homes of the aristocracy, from an orphanage, from a broken home where an alcoholic mother and her twins live in fear of a murderous father, from the home of public high school’s first black football coach, and from the home of the same school’s principal. The group’s fulcrum, Leopold Bloom King, second son of an ex-nun Joyce scholar, who is also the school’s principal, and a science-teacher father, is just climbing out of childhood mental illness after having discovered his handsome, popular, athletic, scholarly older brother dead from suicide. Over the next two decades, these friends find success in journalism, the bar, law enforcement, music, and Hollywood. Echoing some themes from his earlier novels, Conroy fleshes out the almost impossibly dramatic details of each of the friends’ lives in this vast, intricate story, and he reveals truths about love, lust, classism, racism, religion, and what it means to be shaped by a particular place, be it Charleston, South Carolina, or anywhere else in the U.S. --Mark Knoblauch
Most helpful customer reviews
257 of 287 people found the following review helpful.
The Big Chill--on acid
By Susan Tunis
Leopold Bloom King ("Leo" to friends) is the narrator of Pat Conroy's first novel in 14 years. The story opens on Bloomsday, 1969, in Charleston, South Carolina. Most families don't commemorate this celebration of the work of James Joyce, but then again, most parents don't name their sons after fictional Joycean characters. At the tender age of 18, painfully shy Leo has had enough drama to last a lifetime. Trouble began early with his radiant older brother's suicide. Leo found the body. This led to years of therapy and adventures within the mental health care system. Finally released from institutions, Leo is immediately convicted of a crime he didn't commit, but for which he won't defend himself. All of this has occurred before the events of the novel, and is exposited in the first 50 pages or so.
On that fateful Bloomsday, Leo is finally on the verge of getting his act together. And this kid is too good to be true. He's got no friends his own age, but Leo is genuinely kind-hearted and charms any adult willing to give him a chance. However, everything changes on that day. It's the day that larger-than-life twins Sheba and Trevor Poe move across the street. It is also the day that he meets Ike Jefferson, the son of his new African American football coach (thanks to desegregation). It is the day he meets teenage orphans Niles and Starla Whitehead, just arrived in town and handcuffed to their chairs. And, finally, it is the day he meets South of Broad bluebloods, Chad and Fraser Rutledge and the beautiful Molly Huger. It is, in short, an eventful day.
The non-linear novel is told in five parts. That first part establishes the rich Charleston setting, gives the necessary exposition, and cements the life-altering relationships of these high school friends. Part two is set 20 years later. It is 1989, and Sheba Poe has returned to Charleston as one of the biggest movie stars alive. She's a drama-queen of the highest order, but she hasn't forgotten her friends or her roots. As the group of friends reunites around Sheba's surprise visit, we see what's become of the teenagers we've just gotten to know. We learn just how incestuous the group is, and who ended up married to whom.
It was this section, more than any other, that reminded me powerfully of the film The Big Chill--right down to the South Carolina setting, the careers of some of the friends, and the many (many!) issues they are dealing with. Section three sees this close-knit group on a quest to San Francisco. One of their number, openly gay and rumored to be dying of AIDS, is missing. No one has heard from him in over a year. Part four returns us to 1969, and the friends' senior year of high school. It is here that we learn more of the events that led to the adult lives these people were leading 20 years later. And finally (and I do mean finally, as the book came in at over 500 pages), part five returns to 1989/1990 and the culmination of the all plots and dramas we've exhaustingly witnessed.
It is a truly STAGGERING list of discord. All the typical Conroy highlights are hit: daddy issues, mommy issues, male and female rape, suicide, southern living, mental illness, military education, team sports, adultery, relationships with coaches, family drama, and so much more. This sort of redundancy of themes can't help but make you wonder a bit about the author. Nonetheless, though revisiting a lot of territory, Conroy jumbles things up in new and interesting ways.
I had a mixed reaction to this book. I can (and will) criticize any number of aspects of this novel, but I can't deny that it was entertaining. It's compulsively readable, but in a trashy, guilty pleasure sort of way. I generally think better of Pat Conroy. Some of the language exhibits his renowned lyricism, but much of the dialogue is cringe-worthy. Each of the characters attempts to be more witty and glib than the next. Their dialogue is a non-stop stream of one-liners, innuendo, and casual racism. None of it rings true, and goes a long way towards making these characters, their actions, and the constant high-drama simply too much to believe. Most of the characters are extreme personalities (some of them downright repugnant), and I found it hard to believe that their bonds were as tight as was depicted. The entire San Francisco section found Conroy way out of his element, and while he convincingly narrated through the eyes of an outsider, the story he told lacked authenticity. Armisted Maupin he's not.
And I mentioned it before, but by the end of the book, the non-stop drama of these people's lives is exhausting. Family drama, relationship drama, racial drama, religious drama, deaths, suicides, crimes, affairs, addiction, mental illness, natural disasters, and not one psychopath--but two! Folks, it's a lot to take in. Mr. Conroy's stored up a lot of plot lines in the time he's been away from fiction, and apparently he decided to use them all.
I'm sure his fans will defend this novel. And it's already a best-seller, but this is far from his strongest work. Read if you're a die-hard fan, or just want a page-turner, but if you're expecting a lot more than that, I expect you'll be disappointed.
1 of 1 people found the following review helpful.
Life is Difficult.
By Doc Em
Friends in this book and in life turn out to be invaluable. This author deserves the kudos he receives for his writing. Fate, tragedy, death, love, life, religion, relationships, mental illness, joy, crime, generosity, class struggle, friendship, excellent writing, superb characters, are all part of this book. It is not for the faint hearted. Charleston comes alive, suffers and survives triumphantly. I loved the book!
0 of 0 people found the following review helpful.
One of the very best books I've read in a long time.
By Dan Fendel
This book will simply captivate you! It is brilliantly beautiful in both the story told and the words used to tell it. Prepare for a wonderful, engrossing and charmingly and readably literate experience--something seldom found in the plot-driven-at-the-expense-of-character novels around us today. GREAT!
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